If you’re interested in trying it for yourself be sure to check out this three part tutorial that utilizes free, readily-available-on-the-internets software. It’s a surreal effect that can be hard to explain.”ĭon Whitaker (of Squircle Zoom fame) wrote in to tell us about a video mashup technique called ‘datamoshing’ that, “uses video compression artifacts as a composition tool”. Then, instead of glitching back to the next shot, its as if the next shot appears to be wearing the information from the previous shot.
#DATAMOSH OFF THE AIR TV#
You’re watching TV and then suddenly the image freezes. “Now that television transmissions have gone completely digital you have probably seen this effect before. 19, 2013 in Videos | tags: colorful, datamosh, hd, morgan beringer, morph, music video, nathan fake, psychedelic, trippy, vessels Over a year ago I posted a similar video Morgan made for Matthew Dear (go watch it!) and it’s great to see he’s still exploring this layered datamoshed style.
Was that a bee? A white pine branch? A set of fluffly clouds? Right as your mind catches on some known object it’s already been washed away and replaced by another. The colorful psychedelic sloshes keep hinting at images but we never get to know exactly what they are. The visuals on display above, by Morgan Beringer, inspire that same inquisitive spirit. Hearing the same thing over-and-over again, especially if it’s imperceptibly evolving either by a shift in composition or the slight tweak of a filter knob, gives me the space to unpack and understand exactly what about it is motivating my body to move. places mixed with trippy music videos and other off the wall stuff coupled with lots of datamosh transitions and. I’m not a ‘live in the moment’ kind of person but I want to be and, as a result, tend to get attached to whatever helps me get over my instinctual aversion to now. When I’m locked into the pocket of an agreeable groove the present moment enlogates, freeing me to appreciate it. To some, dub techno‘s hallmark layering of super-straight-forward-and-stripped-down 1-to-2-bar loops can be relentlessly irritating and abrasive but, to me, that kind of ultra-repetition is just right. My first introduction to any of its many incarnations was via a Tiefschwarz DJ set at the 2007 WMC I was there specifically to hear (and dance to) their remix of Phonique’s `The Red Dress` and the ‘Holden Tool’ followed it. The tune in the attached is a cover (by Vessels) for a remix (by James Holden) of the rambling ambient techno classic, `The Sky Was Pink` by Nathan Fake.
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